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5月19日 我们的外国口音:Jane Germain专场

5月19日 我们的外国口音:Jane Germain专场

5月19日 我们的外国口音:Jane Germain专场



【演出时间】05月19日(星期五Fri)PM晚9:30
【演出门票】30元/学生20元
【出演成员】Jane Germain专场 嘉宾歌手:王娟  手风琴:张玮玮 打击乐:郭龙
【演出地点】无名高地原创音乐基地


【Jane Germain简介】



  当你第一次听到简·杰曼(Jane Germain)的歌,你一定会被这位澳大利亚女歌手那高亢嘹亮的嗓音,优美流畅的旋律,以及那原汁原味的质朴的乡村风格所深深吸引。十几年创作生涯的积淀,使她的音乐散发着一种独特的魅力,如一杯浓郁的红酒,散发着醉人的芳香。
  在录音室中,Jane对她的的每一首作品都是精雕细琢。第一张专辑《The Honeymoons Over》向人们展示的是多种风格的融合:流行,黑人灵歌,摇滚,芬克,跳舞音乐,以及其他各种富有表现力和活力的音乐元素,让人们初识她的才华。第二张专辑《Surrender》,则更多的回归了根源摇滚,突出吉他的表现力,并加入更多的个性化元素。
  多年来,Jane巡回于澳大利亚各地做演出。澳大利亚的许多著名音乐节现场都留下了她的身影。而对东方文化的向往,促使她自2001年至今四度访华,不仅为中国的观众带来了她的音乐,也从中国的土地上获取了诸多灵感。此次来华,Jane也是为她的第三张专辑的录制工作进行准备。东西方民间音乐的交织和碰撞,无疑将使这张专辑更加值得期待。

  Jane Germain的个人主页:http://www.janegermain.com/

【王娟简介】



  北京地下音乐圈里不多见的创作型漂亮民谣女歌手,简单、朴素的民谣风格,一把箱琴,一副毫无矫饰的自然嗓音让很多人迷恋,其歌曲风格大多清新唯美,不另类、不夸张、不招摇,平淡中就把闭塞、孤独、荒废、思索、游荡、迷惑和束缚的感觉表达了出来。

  1995年,开始在酒吧唱歌,翻唱英文歌为主
  2000年,在朋友开的酒吧“橡树”开始原创演出
  2002年,在“河”酒吧演出,组建乐队,单曲《永远的问题》发表在摩登天空合集中
  2003年,录制“河”酒吧现场小样,单曲《遥远》发表在民谣合辑《花园村》中
  2005年,与虎子合作录制EP《两个的的旅行》并发表


详情请登陆 www.music1234567.com

主办:万思鸿文化经纪有限公司 无名高地原创音乐基地
地址:北京市朝阳区亚运村安慧里一区14号楼 邮编:100101
电话:010-64891613 64912122 E-mail:wuminggaodi@hotmail.com
①公交车路线:乘(387总站南50米)406 939 983 944 740 737 804 827 836 840 847 路到"安慧桥"下车,西藏大厦马路正对面丁字路口往北250米(或北辰购物中心下车,找到亚运村邮局南侧小马路向东直行到头,然后左拐150米,北苑路路西)
②开车或打车路线:北四环路安慧桥往东300米,西藏大厦马路对面(五矿大厦东侧)的路口往北300米。或北辰购物中心十字路口往东,再到第二个红绿灯往南200米,北苑路路西。
Jane Germain showed up on the music scene in the 90's, with the release
of the acclaimed debut, The Honeymoons Over (with the Dreamers) - working
with the production team of James Hewgill and Jim Fisher (who also played
most instruments).
Radio tracks such as Living on the Edge, and Somebody Tell Me introduced
listeners to  an Australian songwriter by birth, and Chinese by heritage
who brought a self-styled vibrancy to the diverse music she whipped together
-  pop, soul, rock, folk,dance and anything else that seemed expressive and alive.
The songs she wrote and sang were about feelings old and new, and the music
was inventively rhythmic as it was melodic.
Surrender took a different approach, aiming for a more rock- oriented ground  
with Steve Garde on guitar - and the addition of John Reed on cittern brought
a spontaneous and  expressive sound without losing the influences that are so much a part of her identity.
The Honeymoons' Over and second album, Surrender (with it's gnarly guitar rock) remain a firm presence in the marketplace, selling strongly at festivals, gigs, and on Jane's website - www.janegermain.com
The new album further develops the ideas and emotions that have long compelled Germain. And with her ever upbeat sense of fusion and generosity, and without sacrificing zing or immediacy, her music continues to ignore the stylistic restrictions that can leave pop music stale.
Jane has played at festivals throughout Australia, including Fairbridge Festival, Festival Fremantle, Bridgetown Blues, Toodyay Folk, The Nannup Music Festival, Fairbridge Festival, and of course, the legendary Bindoon Rock.
Jane toured through China in 2001, introducing her songs to the Chinese people, and returned for her "Middle Kingdom Tour" in September/October  2004. She toured the Guangdong Province in January 2006 with performances in Guangzhou and Shenzhen, and will again return in May and June 2006 to record her third studio album with traditional Chinese instruments and contemporary sounds.

“….mystical, mysterious, compelling…”
X-Press Magazine

“….wistful and naively seductive….”
Phil Bennett  Grok Newsmagazine
       
www.janegermain.com
www.myspace.com/janegermain
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